Just got back from the Boston Ballet performance of “Three Masterpieces”, a trio of pieces by major choreographers that definitely stretched my ballet-experience boundaries, ultimately in a good way. The third piece, Twyla Tharp’s “In the Upper Room”, was a blur of bending arms and legs set to a frenetic Philip Glass score. It highlighted the dancers’ youth and athleticism, and easily earned a standing ovation. The costumes were all black/white or red, and often the female dancers’ feet were highlighted with red so they stood out as they moved through the tangling choreography. The second piece was set to Mahler’s Kindertotenlieder, Songs on the Death of Children, and was as subdued and brooding as the third piece was energetic. The program had the translations of the songs, but the arms of mothers and fathers clasped in prayer or outstretched in supplication needed no translation.
Somehow the two pieces are whirling together in my mind along with the milagros I became fascinated with on my recent trip to New Mexico – the examples below are from an old church in Santa Fe. Milagros are small metal representations of body parts that are placed in the church to ask for healing of a related ailment – a leg for a broken leg, lungs for pneumonia, and so on – and an exhibit case at the International Folk Art Museum in Santa Fe showed examples of similar objects from all over the world. In Santa Fe I also saw an exhibit of related objects, ex-votos, plaques giving thanks for the fulfillment of a prayer or request. Many of them thanked God for the healing of a child’s illness. And in between this weekend’s ballet and my vacation to Santa Fe, I started a rotation in pediatric surgery. I helped cut open a three-year-old child. His parents brought him to us for us to make him better, knowing how we would do it, and instead of “doing no harm” we earned their gratitude. I haven’t yet made sense of this intermingling in my mind of high art and folk art, art and medicine, healthy bodies and sick bodies, the metaphysics of prayer and the physics of surgery… At this point in my education as a medical practitioner, a humanistic doctor, and a human being, I’m just trying to be open to witnessing all the ways I see people make sense of body parts and healing.

